MARC details
000 -LEADER |
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04240nam a22004935i 4500 |
001 - CONTROL NUMBER |
control field |
978-3-031-19000-1 |
003 - CONTROL NUMBER IDENTIFIER |
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DE-He213 |
005 - DATE AND TIME OF LATEST TRANSACTION |
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20240729133343.0 |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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221122s2022 sz | s |||| 0|eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
ISBN |
9783031190001 |
-- |
978-3-031-19000-1 |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
JMH |
Source |
bicssc |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
PSY031000 |
Source |
bisacsh |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
JMH |
Source |
thema |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal author |
Byron, Tim. |
Relator term |
author. |
Relator code |
aut |
-- |
http://id.loc.gov/vocabulary/relators/aut |
245 10 - TITLE STATEMENT |
Title |
Hooks in Popular Music |
250 ## - EDITION |
Edition statement |
1st ed. 2022. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Cham : |
Name of producer, publisher, distributor, manufacturer |
Springer International Publishing : |
-- |
Imprint: Palgrave Macmillan, |
Date of production, publication, distribution, manufacture, or copyright notice |
2022. |
300 ## - PHYSICAL DESCRIPTION |
Physical description |
XVI, 459 p. 56 illus., 1 illus. in color. |
Other physical details |
online resource. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
computer |
Media type code |
c |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
online resource |
Carrier type code |
cr |
Source |
rdacarrier |
505 0# - CONTENTS |
Contents |
Chapter 1. The Intro -- Chapter 2. Can't Get You Out Of My Head: Hooks And Psychology -- Chapter 3. Thank U, Next: Hooks in Popular Music Studies -- Chapter 4. This is How We Do It: An Approach to Hooks -- Chapter 5. Sing it Back: Melody and Topline Hooks -- Chapter 6. D-D-Don't Don't Stop The Beat: Backing Track Hooks -- Chapter 7. Don't Bore Us, Get to the Chorus: Structural Hooks -- Chapter 8. Parallel Or Together?: Compound Hooks -- Chapter 9: The Outro. |
520 ## - ABSTRACT |
Abstract |
"Drawing on musicology, psychology, neuroscience, and auditory processing, the authors provide a brilliant and engaging account of the many strategies used by successful musicians to make their songs stand out, grab hold of our attention, and leave us humming their music at the most inopportune moments." - William Forde Thompson, author of Music, Thought and Feeling: Understanding the Psychology of Music "With its mix of psychological and music theoretical insights, and a knack for easily conveying these even to non-experts, this study is a major step forward in helping us understand what we love about popular music. Rarely has academic writing that takes music seriously been that much fun to read." - Ralf von Appen, Professor for the Theory and History of Popular Music, University of Music and Performing Arts, Vienna This volume is the first book-length study of hooks in popular music. Hooks - those memorable musical moments for listeners such as a riff or catchy melodic phrase - are arguably the guiding principle of much modern popular music. The concept of the hook involves aspects of melody, rhythm, harmony, production, lyrical and cultural meaning - and how these interact within a song's topline and backing track. Hooks are also inherently related to the human capacities for memory and attention, and interact with our previous experiences with music. Understanding hooks in popular music requires a new interdisciplinary approach drawing from popular music studies, pop musicology, and music psychology, and this book draws from each of these disciplines to understand the hooks present in a broad range of popular music styles from the last thirty years. Tim Byron is a lecturer in the School of Psychology at the University of Wollongong, Australia. His research interests include hooks, the conscious experience of earworms, and the effect of music on cognitive tasks. Jadey O'Regan is a lecturer in Contemporary Music Practice at the Sydney Conservatorium of Music (University of Sydney), Australia. Her research interests include pop hooks, genre, empirical musicology, creativity, and large-scale music analyses of pop music. |
650 #0 - SUBJECT HEADINGS |
Subject term |
Social psychology. |
650 #0 - SUBJECT HEADINGS |
Subject term |
Popular music. |
650 #0 - SUBJECT HEADINGS |
Subject term |
Psychology. |
650 #0 - SUBJECT HEADINGS |
Subject term |
Mass Media. |
650 #0 - SUBJECT HEADINGS |
Subject term |
Music theory. |
650 14 - SUBJECT HEADINGS |
Subject term |
Social Psychology. |
650 24 - SUBJECT HEADINGS |
Subject term |
Popular Music. |
650 24 - SUBJECT HEADINGS |
Subject term |
Media Psychology. |
650 24 - SUBJECT HEADINGS |
Subject term |
Theory of Music. |
700 1# - ADDED PERSONAL NAME |
Added personal author |
O'Regan, Jadey. |
Relator term |
author. |
710 2# - ADDED CORPORATE NAME |
Added corporate author |
SpringerLink (Online service) |
856 ## - ONLINE RESOURCE |
Uniform Resource Identifier |
<a href="#gotoholdings">#gotoholdings</a> |
Link text |
Access resource |
245 ## - TITLE STATEMENT |
Medium |
[E-Book] |
347 ## - DIGITAL FILE CHARACTERISTICS |
File type |
text file |
Encoding format |
PDF |
Source |
rda |
912 ## - |
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ZDB-2-BSP |
912 ## - |
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ZDB-2-SXBP |